soul circuit, although she never really received her due on a national level despite having released several powerful dance tracks on various small labels from the mid-'60s through the early '80s. Enjoy!! Ī tall, elegant and emotionally dynamic singer, Ty Karim was a local legend on the L.A. I have gathered here a collection of 130 tracks, consisting of a fair amount of the sides the R&B chanteuse recorded for King, Okeh, Savoy, Brunswick, Scepter and Rojac between 19, including the entirety of her albums What More Can a Woman Do? (Brunswick, 1962), The Soul of Big Maybelle (Brunswick, 1965) and The Gospel Soul of Big Maybelle (Scepter, 1968). Big Maybelle’s career was marred by frequent drug problems, which contributed to her early death from a diabetic coma.

She also covered 'Eleanor Rigby', Los Bravos' 'Black Is Black', and recorded the Northern Soul stomper 'Quittin' Time'. There she was persuaded to record some recent pop hits by the Beatles and Donovan and had some minor chart success of her own with versions of 'Don’t Pass Me By' and '96 Tears'. Despite her acknowledged influence on the soul styles of the '60s, later records for Brunswick Records, Scepter and Chess Records made little impact until she signed to the Rojac label in 1966. Leaving Okeh for Savoy, her 'Candy' (1956) brought more success and in 1959, she appeared in Jazz on a Summer’s Day, the film of the Newport Jazz Festival. Big Maybelle was also a star attraction on the chitlin’ circuit of black clubs, with an act that included risqué comedy as well as emotive ballads and brisk boogies. In 1955, she made the first recording of 'Whole Lotta Shakin’ Goin’ On', which later became a major hit for Jerry Lee Lewis. 'Way Back Home' and 'My Country Man' were also bestsellers. Her blues shouting style (a female counterpart to ‘Big’ Joe Turner) brought a R&B hit the next year with 'Gabbin’ Blues' (a cleaned-up version of the ‘dirty dozens’ on which she was partnered by songwriter Rose Marie McCoy). Three years later, Smith made solo records for King and in 1952 she recorded as Big Maybelle when producer Fred Mendelsohn signed her to Okeh Records, a subsidiary of CBS Records. When Clark disbanded his orchestra to concentrate on record promotion, Smith moved to Christine Chatman’s orchestra with whom she first recorded for Decca Records in 1944.

23 January 1972, Cleveland, Ohio, USA) was discovered singing in church by Memphis band leader Dave Clark in 1935. Mabel Louise Smith (, Jackson, Tennessee, USA, d.

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